Art & Collections

Art, for me, is a long conversation with time, not a transaction.
Collecting is a form of cultural participation, guided by patience, judgment, and responsibility.

A curated selection of perspectives on contemporary art, collecting, and emerging artistic practices.

A Long-Term Relationship with Art

My relationship with art is shaped by the same principles that guide long-term decision-making: patience, discernment, and a respect for continuity. I’m drawn to work that resists short-term noise and becomes more meaningful over time, intellectually, emotionally, and historically.

Collecting, to me, is not accumulation. It is learning: a discipline of looking, rereading, and returning.

Fairs as Cultural Barometers

I follow the contemporary art ecosystem through major international fairs and exhibitions, not only as marketplaces, but as cultural indicators. At their best, fairs reflect how curatorial thinking, institutional interest, and artistic experimentation are evolving, and where quality is emerging with clarity.

In recent years, the most compelling editions have felt more measured: less spectacle, more precision; fewer gestures, stronger statements.

  • Quality over volume
  • Curatorial rigor over noise
  • Long-term relevance over short-term momentum

Practices and Themes

Painting & Structure

I’m interested in painting that carries discipline, abstraction, composition, and material intelligence that rewards time and repeated viewing.

Sculpture & Space

Works that engage space, scale, and physical presence can shift perception in a way no image can fully capture.

Technology as Medium

I’m attentive to technologically informed practices when they deepen artistic language, not as novelty, but as a serious extension of form and concept.

Beyond Novelty

Digital practices are becoming part of the permanent landscape of contemporary art. What interests me most is not fashion, but synthesis: where systems, light, algorithms, or new interfaces become tools for serious artistic intent.